bigredrobot:

ramonvillalobos:

I sometimes get on kicks, like when I drew the Marvel Family one after another a couple weeks ago. After I drew Big Barda and Mr. Miracle, and especially after people seemed to like it, I figured I’d finish up this drawing of Orion fighting the goofiest looking parademon of all time. What’s with your glove homey? You really gonna bejewel that? Orion doesn’t care for it.

DAAAAANG.

nparts:

How a road trip to Canada in the ’80s inspired Richard Ford’s latest novel
“I loved that landscape,” Richard Ford says. “What struck me was how different it was from just where I was living at the time, across the border in [Missoula] Montana. It didn’t shock me, it pleased me, in a way. There was something about the landscape up in Saskatchewan … that I had such an affinity for. I think it just settled on me in a profound way.

“When an American — this American, anyway — is in Canada, you’re very aware that you’re in a completely different place,” he adds. (Illustration by Steve Murray)

trickstertrickster:

Join B. CLAY MOORE (Hawaiian Dick) for a ONE-ON-ONE Cocktail Hour, on-site at TR!CKSTER 2! YOU will bring a project you’re working on and brainstorm, design, chat, troubleshoot, and create alongside one of your favorite working storytellers. Bring a script, an outline, character designs, comic…

I will be bringing at least one fellow creator with me.

I bought this album a while ago, based on the awesome cover art. It’s actually a pretty great concept album by John Neel, with Plas Johnson on sax. Moody, bluesy, late night melodies with gorgeous sax playing.

“Alcohol and comics killed Bill Everett. Not necessarily in that order.” - Jack Kirby

Long (long) after Carl Burgos created the Human Torch there was Captain “Split!” Marvel.

The Heap, first of the muck monsters.

The Monkees groove on some DC comics.

templesmith:

A little bit of Joker to celebrate the news I’m drawing a bit of a BATMAN story with B Clay Moore. (Taken with instagram)

Mike Byrd on the case.