Various editions of William Peter Blatty’s The Exorcist.
BLACK CANARY #4 (1993) cover by Trevor Von Eeden.
Skywald horror magazines, early 70s.
Mike Allred does Jim Valentino’s Shadowhawk, from 1993.
Red Tornado variations.
In the mid-to-late sixties, when editorial wouldn’t let him ink his own work on the more mainstream DC books he drew (DETECTIVE COMICS and FLASH, notably), Carmine Infantino used the long-running Elongated Man back-ups in DETECTIVE as a chance to ink himself, and focus more on form and design than the polished art he was best known for.
Trevor Von Eeden pages, from BLACK CANARY (1993 series). Bob Smith inks.
If there’s a ground zero for Wolverine’s acsension to his ultimate status as the most popular character on Earth, it’s probably UNCANNY X-MEN #133. (where he was literally killing Hellfire Club guards before Jim Shooter decided Wolverine wasn’t a killer)
Since Dave Cockrum had spent his X-time focusing on Nightcrawler (a character he initially created while working on THE LEGION OF SUPER-HEROES at DC), Byrne zeroed in on Wolverine. And it more than paid off.
Reprinted in CLASSIC X-MEN #39.
Illustrated album covers from Tony Bennett: “MR. BROADWAY” (1961 - Columbia Records), SINGS A STRING OF HAROLD ARLEN (1961 - Columbia Records - Bob Peak art), WHEN LIGHTS ARE LOW (1964 - Columbia Records), SNOWFALL: THE TONY BENNETT CHRISTMAS ALBUM (1968 - Columbia Records - Bob Peak art), TONY SINGS THE GREAT HITS OF TODAY! (1969 - Columbia Records).
Rest in Peace to a consumate artist always dedicated to his craft.